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Magnificent
At last, a good book on the wild horses!Well, now here it is!
Hoofprints in the Sand is just what I wanted. The book is full of information about the various herds of wild horses on the East Coast and covers each one with its own chapter. I had no idea there were herds other than the famous Chincoteague and Assateague horses. Urquhart covers six different herds! She carefully sifts through the many contradictory stories about the origins of each herd and adds lots of interesting information about their history. Did you know there was once a mounted Boy Scout troop on Ocracoke? She also details how each herd has been protected and maintained over the years, and she describes the controversy over whether they are a natural part of the ecosystem that deserves protection or a threat to the local species. I loved reading about the often heroic efforts of people to protect the wild horses they love.
Besides talking about the herds, there's a chapter on the history of horses in America. She also discusses the difference between wild and feral horses and whether these herds are horses or ponies. Finally, there's an interesting section on wild horse behavior and one on how to see the different herds.
But most of all, you've got to see the photos! The book is full of beautiful shots of the horses in their wild state, nosing around picnic tables, and playing in the sand.
If you've been to Chincoteague and want a reminder, if you've got a young girl who's fallen in love with Misty, if you're looking for information about wild horses, or you just want a good read, you're gonna love this book.


The best pocket guide to Galápagos land and air critters
A Superb Guide for Scientists

Brilliant
Beautiful new translation of an ancient favoriteFragments of poetry written by Sappho still exist, but most are damaged or illegible. Hence, here as in other previous works of the poetry of Sappho, the reader is left with only fragments of what clearly must have been delicate and breathtakingly beautiful poetry. As Ms. Carson says in her introduction to her translations, the reader is left with a profound sense of wonder when confronted with the small snippets of Sappho's poetry. For example, all that survives of poem 36 is "I long and seek after". What, we wonder, does the rest of the poem pertain to? What flowing scenes did she paint with her words that we can never know?
I personally am not a Classicist, though I HAVE read through many of the surviving texts of the ancient worlds: Beowulf & The Odyssey, for example, and occasionally I'll attack some texts in Latin and have a go at the translation. However, for the most part, I am not a scholar of ancient times or texts. I'm here to say that one does NOT, even for a second, need to know much about ancient Greek culture, text or times to thoroughly enjoy these translations. Granted, you will find that most poems are little more than bits of a whole (sometimes only a word or two survives), but even these small pieces will cause your imagination to soar.
Ms. Carson has also boldly gone where no translator has gone before (to my knowledge). In previous translations of Sappho's poetry that I've read, the pages are crammed tight with the fragments themselves, explanations and footnotes. In Ms. Carson's book, each page is dedicated to one fragment of Sappho's poetry, regardless of it's length. In this respect, a poem that is only three words long has an entire page dedicated to itself. This is a wonderful touch, as it means that the reader's entire attention can be focused only on that poem, no matter how small, without the distraction of commentary by the author (Ms. Carson puts an extensive appendix at the back where she adds her thoughts and comments on the fragment's origin, word meaning and characters). Opposite the English translations are the original fragments in their original Greek characters. I myself cannot read Greek, but I found it a beautiful and thought-provoking touch to be able to look at what Sappho wrote in her own language. Though I'm not able to read Greek, it made the text more alive to have it there for me to look at and examine.
In conclusion, anyone who enjoys ancient Greek culture, ancient history or simply enjoys reading poetry should not hesitate to add this book to their collection. I'd personally go so far as to say that if you've got a different volume of Sappho's poetry, make some shelf space to add THIS book as well. For the clean, uncluttered page and lyrical, moving translation, I highly recommend this work and highly compliment Ms. Carson on her work.


Indispensible to Readers of the Pacific
In the South Seas

Indian Island In Amherst County
Entry Point for Students of Monacan Indian History

Excellent text and marvellous photography - a real treat!
A fine guide to one of Scotland's richest historical sites.

super spiffy
Island Adventure was just like our trip to Block Island!

Wow - that is great barbecue
Island BBQ is a must for daydreamer's. Fun! Good source

Too precious and rare a book to be chanced on a coffee table
View of Serendip before the troubles

Creative and Absolutely Beautiful
A shining picture book!
_Hoofprints_ is not only the best work in print on the feral herds of the East Coast; it's also the only work ever published in any language for a general readership. The horses that frolic about our seaside resorts are in trouble. Their range has shrunk to a few dynamic spots that they occasionally outgrow. They're losing genetic diversity. They compete with native species. They're mired in scientific controversy, historical ambiguity, political rhetoric, and raw emotion. The few government reports and scholarly papers are hard to read and usually limited to one herd or one specialty. Popular coverage is mostly local, often romantic, and sometimes fictional. Bonnie Urquhart is the first nonfiction writer brave enough to deal with this complex subject in its entirety, and she does so without stuffiness, stridency, or sentimentality.
While telling the stories of a half-dozen similar, but distinct herds, she looks in on some of the people who interact with them: curious vacationers, innovative scientists, determined defenders, struggling officials. She examines threats to coexistence: economic development, environmental change, even some attempts at preservation. She deals with such abstract issues as the definition and value of wildlife. She examines an assumption or two, and she gently bursts the odd bubble. As she says, whatever significance we attach to these animals, anything we do about them, including nothing, may have decisive effect. Our wisest course is to act (or not) on understanding.
Every decade or so, someone combines art and science, culture and nature, kindness and clarity, analysis and wonder to create a book that enriches as no other has done or is likely to do. _Beautiful Swimmers_, William W. Warner's Pulitzer-winning essay on Chesapeake Bay crabbing, is a one such book, unique when it was first published in 1976 and still superlative. _Hoofprints in the Sand_ is every bit as good. It's all the more remarkable because it's the author's first major publication. I look forward to the next.